New Addiction

Okay, which one of you bastards mentioned author Mick Herron as a decent replacement for John Sandford in the “guilty reading pleasures” department?

Because I tried the first book of Herron’s Slough House series (Slow Horses), and then blew through the other seven in just over as many days, so much did I enjoy the story.

Just as background:  when agents of Britishland’s MI5 screw up, they aren’t fired, but sent into a backwater office (Slough House) to do horribly mundane jobs (e.g. “find out how many potential terrorists there are in the country based on their book withdrawals of [unspecified] dangerous books from public libraries”), the results of which are sent back to Regent’s Park (MI5 Head Office), and promptly ignored.

One might think that there are similarities to the eminence grise of espionage writers, John le Carré, but one would be wrong.  Compared to George Smiley, the head of Slough House (Jackson Lamb) is an anarchic bombthrower, implacably determined to defeat the country’s enemies (that would be MI5, the Foreign Office and MI6), and does so with a cunning, underhanded skill that would defeat Smiley in a single chapter.

As for the denizens of Slough House, they are a bunch of misfits:  alcoholics, gamblers, incompetents, psychopaths, hackers and malcontents, sometimes several in the same person.  As far as “the Park” is concerned, they could all quit or die tomorrow and the Service would be the better for not having to pay their salaries anymore.  And they would all quit or die, except that their boss (Lamb) looks after them and protects them from their feral attackers (that would be MI5) with a ferocity that would please any lioness with her cubs.

That doesn’t stop him from mercilessly torturing his employees (e.g. offering his recovering alcoholic secretary a glass of Scotch every time she walks into his office), and sending them out (against regulations) to do field operations (jobs) which he knows that they will screw up, and they do, often hilariously.  However, his hapless charges are still highly-trained agents, and they often end up doing the right thing by accident.  And some of them die.  And by the way, they all hate each other.

I’ve just finished the last in the series (Bad Actors), and I’m going to re-read them all after a decent interval (a week or so).  At one point, New Wife asked me why I kept bursting into fits of laughter, and my only response was:  “The dialogue.”

And by the way, the Slough House building is a character all to itself.

It’s seriously good stuff.  Read it at your peril.

Next up for me: the Oxford series, by the same author.

RFI: Kindle

Okay, I might have to break down and get me one of them Kindle thangs, because the storage / cost matrix looks like I’m going to be driven out of the actual-book-buying thing.

But seeing as I was last exposed to Kindle at about version 1.0, I need help from y’all to steer me towards the right one in terms of cost / facility / whatever.

The larger, the better, and the one most like a real book, the better still.  Kindle? Paperwhite?  Oasis?  What are the differences / benefits of each?

Fuck me, I just saw the prices.  I’m going to have to have a donations drive to afford one… unless I just get the cheapest for a hundred bucks — but with my luck, it’s going to be the same as my long-discarded v1.0.

HELP.


Update:  okay, which tablet?

Is this one a good idea?

Worthwhile Read

…and quite possibly one of the best Modern European History books I’ve ever read.  It should be the foundational text for all college courses of European history  of the post-WWII period.

I speak of Tony Judt’s excellent work: Postwar: A History of Europe Since 1945

You don’t have to be interested in European history, or a history buff at all to enjoy this.  But if you ever look around at the total screaming insanity that has become a feature of our modern political and social era, read Postwar  and you’ll see exactly where it all came from.

And as one critic wrote, it reads with the pacing of a whodunnit, but contains all the detail and dispassionate analysis necessary for an outstanding study.  I cannot recommend it highly enough.

I wish I’d read it eighteen years ago, when it was first released.  I am most certainly going to re-read it within the next year.

THE Top Xmas Movies

The Daily Mail  has weighed in with their (predictably modern) list:

Die Hard
Home Alone
It’s A Wonderful Life
The Nightmare Before Christmas
Love, Actually

…but mine (probably to no one’s surprise) leans towards the more traditional, in that I’ve applied the Christmas test:  Could the events in the movie have taken place at any other time than Christmas?  and Did the movie not make you cry?

If the answer is “yes” to either or both, then it’s not necessarily a Christmas movie.  So my list (and sorry, but I could not keep it to only five), and in no specific order:

Remember The Night
It’s A Wonderful Life 
The Polar Express
The Bishop’s Wife
The Shop Around The Corner
White Christmas
Christmas in Connecticut 

…and special (“modern”) mentions because they make me laugh, not cry:
Scrooged (Carol Kane, with a toaster, in the face — classic)
National Lampoon’s Vacation

I love Home Alone, by the way, but for its comedy and not for its Christmas message, such as it is.

Feel free to add your favorites in Comments.

Still At The Movies

Still talking about today’s shit movies, Reader Bruce T. sends an email which adds:

I spent 22 years restoring and preserving classic films for The Library of Congress. I’ve seen many. Don’t fall into the lazy habit, as I did for decades, of almost exclusively watching movies with English dialogue. I’ve discovered a whole new world of sophisticated plots, consummate acting, and beautiful cinematography in films from Japan, Russia, Poland, the Czech Republic, and others. The best part? Even the newest productions are not ‘woke’!

Good points, one and all.  (Although I’m reminded of that wonderful opinion:  “If the furriners had had anything of value to say, they’d have made their movies in English.” )

I’ll be getting a list of titles the above from Bruce in the near future, which I’ll be happy to include in a post.

Watch this space.

No Choice At All

Loyal Reader Sean F. explodes in my email:

I gave up going to the theaters for movies years ago, because it was a teenage wasteland of people talking or on their cellphones. I just wanted to watch the expensive movie with no distractions; is that too much to ask?
Well, here we are in the internet age where streaming is king. I signed up to Paramount because they had my American football games for my local channel I don’t receive on my antenna. Aha, movies were included!
So I watched some old Bond movies and classics, but they ran out. I decided to go by ratings (thought I was clever) on Rotten Tomatoes.
Guess what I discovered after abstaining for years? I didn’t miss a fuckin’ thing! Modern movies – 98% SUCK. I guess the plot 1/8 of the way through, and then by 1/4, I have already discovered the ending. UGH – who wants to even try to watch this shit??
I am so disgusted, I watched “Casablanca” for the umpteenth time the other night. What the fuck has happened? Liberal influencce, WOKE, gay, bad directors??? I like Eastwood,Tarantino, and Stone, but they are almost gone. Ford, Kubrick, and Hitchcock are my favorites, among others, but the list shrinks every year. what’s a poor boy to do?

You forgot the bad lighting, bad sound and mumbling dialogue.

My only suggestion — because I am in precisely the same boat, as I suspect are many of my Readers — is to lay in a supply of your favorite classic movies on DVD/Blu-Ray and a backup all-format DVD player.

I know what people are going to say:  “I get bored watching the same old movies all the time.”

Frankly, that’s just because you don’t own enough of them.  There are literally hundreds of old movies out there, and while not all are Casablanca-classics, I would suggest that even a mediocre Bogart movie (e.g. All Through The Night ) is going to be a hundred times better cinematic experience than Fast ‘N Furious 27  or Captain America:  Queer Hero. 

My own Christmas- and birthday lists for friends and family are going to be almost exclusively old movies from now on, and I would humbly suggest that you could do a lot worse than that.

If you’re short of ideas, then start with Bogart and Mitchum, and go from there.  Or pick a director like John Ford, Ernst Lubitsch or William Wyler, and pick from among their offerings.

Just those five will afford you hours and hours of pleasure.  At some point soon — probably on a Saturday — I’ll put together a list of some length, to include not only movies I know well or have in my own collection, but ones I plan on getting in the future.