Out Of The Loop

The other day I was confronted by a situation that has become depressingly familiar:  an allusion to someone who is clearly well-known to many, but whose existence had hitherto been completely unknown to me.

In this case, it was the redoubtable Tom Knighton, whose substack efforts are definitely worthy of subscription in general, but sadly out of my reach because #Poverty.  Writing a very Kim-like essay (minus Kim’s swears), he was talking about the evils of technology being used to spy on people and control their lives — in this case, electricity supply — which is an issue near and dear to me, as Loyal Readers will be aware.

However, towards the end, Knighton writes this:

When I thought I wanted a cyberpunk future, I meant with Dina Meyer running through the streets of some city while we tried to find a cybernetic dolphin, not this crap.

Who?

It turns out that this Dina Meyer is an actress who has had a fairly long and interesting career, with appearances in many, many movies and TV shows:  none of which I’ve ever watched, other than (in the TV case) a few episodes of a show in which she may have appeared but clearly didn’t register with me.  Here are a few examples, just to illustrate the situation.

Apparently, Miss Meyer started off her career in Beverly Hills 90210, of which I’ve never watched a single episode.  She’s also appeared in some movies (Johnny Mnemonic, Starship Troopers, Saw I-III, Dragonheart  and one of the Star Trek movies), none of which I’ve seen because their genres (sci-fi, fantasy, horror etc.) have absolutely no appeal to me.

While Tom Knighton clearly knows who she is and uses her as some kind of cultural reference, it’s perfectly possible that as good an actress as she may be, Dina Meyer has heretofore floated completely under my finely-adjusted and alert Totty Radar, however much of a cultural lodestar she may be.  Lest others find themselves sailing with me on board the same Ship Of Ignorance, therefore, I submit the following:

It seems somewhat strange that she’s survived and prospered thus far (into her late 50s, good grief) without my ever having spotted her before, but it’s a factor of her role- and genre choices rather than my inattentiveness.

Anyway, there’s no need to thank me:  it’s all part of the service.

Answer Delayed

Several Readers have asked for the translated version of Les Misérables that I have praised quite often before.

Please be patient:  I don’t have my copy of Les Miz at hand — I believe I lent it to the Son&Heir a little while ago, and he thinks he may have it, but he’s just moved house and as it’s not among the books so far unpacked, it might still be in a packing case in his garage.  He’s promised to locate the thing and bring it back to me if this is the case.

However, I believe that this is the book I have:  from AbeBooks, it’s the Les Miz / Hunchback double feature (!), in hardback, from Connecticut/Longmeadow Press.

It’s kinda spendy, nearly $40, but considering that it’s essentially two classic works for $20 each, it’s a bargain.

There aren’t a lot of copies extant, so it’s FCFS.  Good luck, y’all.

Not Really The Best

Okay, I admit I was caught by the headline to this article:

‘Masterpiece’ period drama based on ‘best book ever written’ is free to stream on Netflix

Ignoring for a moment the inherent inability of Netflix to make a “masterpiece” anything, I was nevertheless curious to see what constituted the “best book ever written”.

Alas, no.  While One Hundred Years of Solitude  isn’t a bad book, it’s nowhere close to being the best book ever written — hell, even in the “magical reality” genre (to which it belongs) John Fowles’s The Magus  has it beaten all ends up — but while One Hundred  may entertain, it’s not going to change your world in the same way, perhaps, that Les Misérables  might.

Feel free to discuss in Comments, or to nominate your own submission for the greatest.  (Oh gawd, here come the Heinlein / Pratchett groupies…)

Surprising Turnaround

…from me, that is.

I’ve made fun of that skinny little Brit actor with the fey name, Timothee Chalamet, currently the bonker of one of the Kardashian coven (Kimmy, Kluless, Kunty, whatever).

But the other night I watched him play a young Bob Dylan in  –Out Of Nowhere   A Complete Unknown  and his performance blew me out of my socks.  And I’m not even a fan of Dylan’s, to put it mildly.

Not only did Chalamet nail Dylan’s speaking voice and attitude, he also got the singing voice almost perfectly.  And the movie was a gem:  a little time capsule of the early 1960s — the best compliment I could pay it is that I wished it was longer.

Do yourself a favor, and watch it, and him.  (I can’t remember which channel it’s on, but whatever.)

R.I.P. Val

I’m sorry to see that the Big C finally ended the life of Val Kilmer, who I’ve always thought was a fine actor.  If he’d played no other part, his role as the dying Doc Holliday in Tombstone  would make a hell of an acting legacy.  In The Saint, Heat  and even the silly Real Genius:  likewise brilliant.

As for the rest… pick your favorites.

(Apparently, according to some directors, Kilmer could be a total asshole to work with, but I don’t care about that.  Sometimes, talent excuses a few peccadilloes, a.k.a. the Barrymore Exception.)

R.I.P.

Like most people, I suspect, I was saddened to hear of the death of actor Gene Hackman a couple of days back.  I know he retired from acting well over a decade ago, but his career was so long, and featured such brilliant roles that he deserves to be in any pantheon of great actors. He might even be the best.

While his forte was dramatic roles, he showed an unexpected flair for comedic ones too, and some of his best performances were when he combined the two.

So my question for the day:  What are your 5 favorite Gene Hackman performances?  (list is here)

Mine:

  • The Conversation (Harry Caul)
  • Unforgiven (Sheriff “Little Bill” Dagett)
  • Mississippi Burning (FBI agent Anderson)
  • Get Shorty (Harry Zimm)
  • Target (Walter Lloyd) — by the way, a totally silly movie, but Hackman is beyond brilliant in it.

Honorable mentions (next five, any of which could have been in the top 5):  The French Connection (Popeye Doyle), Bonnie & Clyde (Buck Barrow) Under Suspicion (Henry Hearst), Hoosiers (Coach Dale) and The Royal Tenenbaums (Royal Tenenbaum).

Honestly, considering that Hackman’s career spanned sixty-odd years, I could have picked yet another five quite easily;  and it was absolute hell to pick only a Top 5.

I’ve seen pretty much all his movies, and I’m trying to think of a bad performance.  Can’t.  (Some of the movies stank — see Target, above — but that’s not his fault.)  I have several Hackman movies on DVD, and I think I’ll watch a couple tomorrow.

Random thought:  he had the worst hair of any actor, ever.  Yet he still turned in brilliant performances regardless.

R.I.P. Gene, and thanks for all of them.


For what it’s worth, John Nolte agrees with me, more or less.