Shootingham, U.K. — Part 1

So last night I spent the evening with The Englishman and Reader John M., doing pints of 6X, plates of fish & chips and in general doing what I’ve become accustomed to doing of a Friday night, with the usual consequences.

However, my trip back to Free Market Towers was by a different route because of road construction on the normal one. That I got back at all was a miracle, because The Englishman’s sole directions were:
“When you get out of the village, turn right till you get to the main road; then turn right, and keep turning right until you get back to Devizes.”
Reader John’s suggestion was equally helpful: “Watch out for some of the corners.”

Okay: a trip in pitch darkness along unfamiliar, narrow country roads, no map/GPS, half-inebriated. As it happened, both sets of instructions were brilliant, because I drove straight home without getting lost once. (That might be the first time ever, along a strange country road in Hardy Country.)

At Free Market Towers I encountered Mr. FM, back from a few days’ hard work of evicting widows from their ancestral homes followed by demolition of the latter and construction of glass-walled skyscrapers in their place. (I think that’s what he does for a living, but there’s also some terrorizing of subordinates and glad-handing of Chinese tycoons in there, so I can’t be exactly sure.)

Anyway, I was greeted with a glass of whisky and the words: “We leave at 10 tomorrow. Okay?”

I had forgotten, in my evening’s carousing, that he’d scheduled a day’s shooting for today. Oy.

So this morning I woke up, only mildly hung over, and off we set off in the Range Rover, along the standard leafy lanes of outstanding beauty and vistas of… oh hell, you know the rest.

On and on we went, through various counties, villages and towns until we finally arrived at our destination:

I’ve never been to Bisley before, and I didn’t really know what to expect. What I never expected was to find myself in a massive area (several thousand acres, Mr. FM estimates) devoted entirely to shooting. In other words, Kim’s idea of heaven. To give you an idea of the extent of the place, here’s a map which shows most (but not all) of the ranges and buildings (open in a new window to get the full-sized pic):

The problem, of course, is that Bisley isn’t open to just anyone — you can’t just stroll in there and ask to be given a slot on any of the ranges: oh no, that wouldn’t be British. Instead, you have to belong to a shooting club (approved by the Home Office, don’t get me started), and they will then schedule you a day, time and slot where you can shoot with other members of your club. Being British, of course, each club has an exclusive club house of varying degrees of grandeur, starting from 1930s-era Kenya-style mansions:

…and Shanghai-type establishments of the same vintage:

…all the way down to modest cottages:

…and there are even rental trailer-homes where one can spend the night if doing more than a day’s shooting:

Bisley is almost, in fact, a self-contained town — hence the title of this post. There are restaurants, parks and, of course, gunsmiths/shops such as Fulton & Son and William Evans:

…which contain the usual items of gunny exquisiteness:

But on to the ranges.

There are lots of long-distance ranges (one out to 1,300 yards), and I’m not going to list them all; but here’s one, just to give you an idea. A club was shooting at the 1,000-yard mark:

There are .22 ranges, medium-distance ranges, Olympic-distance ranges, shotgun ranges, and so on — all over the place, and all of which made a certain visitor’s trigger finger itch. Which is why after a quick lunch of bacon-and-egg sandwiches, Mr. Free Market took us off to where we would be doing our shooting — clay pigeons, as it turned out. Here’s the road we drove down:

…and tomorrow I’ll give you part 2 of this adventure, at Long Siberia.

Required Reading

Mr. Free Market lent me this book, and if you read no other non-fiction works this year, this should be the one you do.

Marshall explains, in fine detail, what underlies the political (and even socio-political) goals of most of the world’s nations. It should be a required textbook in high schools or failing which, in college-level Politics 101 courses.

Do I agree with everything he writes? Hell, I don’t agree with everything that anyone writes —  but as I was reading it, I found myself nodding in agreement a lot more often than not. I’m going to buy my own copy as soon as I get back home.

No need to thank me: it’s all part of the service.

 

Different Perspective

With the plethora of spy (okay, “surveillance”) cameras in Britishland city streets, this pic has often been described as ironic:

Me, I just see another typical IngSoc cock-up: the camera stand is too short to see into the window, so they turned it around to face the street instead.

That’s how Orwell got to write Animal Farm and 1984, unnoticed by the authorities.

5 Worst Children’s Books

Ranked as always in ascending order of awfulness:

  • Games To Play With Daddy’s Hunting Knife
  • What’s That Noise? Explaining Those Scary Sounds That Come From Mommy and Daddy’s Bedroom
  • Daddy Divorced Mommy Because Of You
  • Mommy’s New Boyfriend REALLY Loves You
  • It Takes A Village: Hillary Rodham Clinton

Proportions

The recent flooding of Houston made me think of numbers (because that’s the kind of guy I am).

One of my friends lives inside the City of Houston, and his house was not flooded (because the city is built on a hill, relatively speaking, of about 400 ft. above sea level. But it’s an island, so to speak, because most of the surrounding area is less than 100 ft. above the Gulf of Mexico — hence the massive floods caused by Harvey).

For my British Readers, let me give some perspective. The Greater London area (population 8.8 million) comprises about 605 square miles; greater Houston (pop. 6.5 million) comprises just over 8,900 square miles (in the U.S., “greater” is labeled as “metropolitan statistical area”, or MSA).

In so large an area, you’ll get a situation like this:

Texans don’t trust government, so they rescued each other when things got desperate

Across Southeast Texas, police, firefighters, the National Guard, the Coast Guard and other agencies responded with immense force. But in a storm of Harvey’s sheer monstrousness — hundreds of miles across, lingering for days with bucketing rain that swallowed roads and initially kept rescue aircraft grounded — no government response could ever have been enough.

So ordinary people took up the challenge.

When Andrew Brenneise saw his West Houston neighborhood flooding at a ferocious pace last Saturday, his first thought was Facebook Live. He pulled out his smartphone in the punishing rain and pleaded for volunteers with boats.

Forty-five minutes later, the first truck arrived with a boat on a trailer. Then ten more. Then twenty. Then Brenneise had a flotilla of fishing boats, kayaks, canoes and flat-bottomed skiffs which, over the next six days, rescued hundreds of people and animals.

“This is who we are,” said Brenneise, 31, a business development manager at a chemical company. “The police and firefighters can’t be everywhere, so the community has to step in and take control.”

It’s true that by and large, Texans don’t trust the government (any government, even our own) — our state constitution is the most restrictive covenant in the world — but coupled to that is the realization that government can’t be everywhere, all the time (especially as in the absence of a state income tax, we can’t and don’t want to fund it). That’s true even in the best of times, as it happens, which means that in a massive crisis like Harvey, we have to take care of ourselves — and it looks like we did.

I also note that comparatively speaking, there doesn’t seem to have been too much thievery, no doubt because of the many “You loot, we’ll shoot” signs that popped up all over the place. Yeah, we include “defense of our property” in the list of things we don’t entirely delegate to government either. And any suggestion that government agencies should disarm Texans in times of disaster would be met with mocking laughter, not just from ordinary people but also from our elected politicians and police forces.

Now for the rebuilding. Texas has an aptly-named “rainy day fund” of just under $10 billion, which we’re going to have to dip into, I guess. The federal government will probably kick in as well — and before anyone jumps in with a “so you hate government but you’ll take their money” snark, let me remind y’all that we Texans do pay federal income taxes — and in any event, if the rest of the U.S.A. wants gasoline for their cars, we’ll need to fix the drowned oil refineries around Houston too; so yeah, the feds should come to the party.

I haven’t really kept on top of this — I’ve been eating Full English Breakfasts, getting plastered on warm ale, and swanning around stately palaces, sue me — but that seems to be a reasonable overview of the situation.

Feel free to add corrections and comments in the usual place.


Afterthought:  the Dallas-Ft. Worth MSA (pop. 7.1 million) extends for 9,268 square miles, fifteen times the size of Greater London.

The Dan

I was truly saddened by the death of Steely Dan’s Walter Becker earlier this week, and I was going to write something about him and Donald Fagen when I remembered that I’d already done so back in October 2007. I found the piece, re-read it and cannot add a single thing to it. Here it is.

No Pumpkins Here

After revealing my love for the music of ABBA and the BeeGees last week, I got an email from a Reader:

Okay, I can’t believe you like that commercial crap, with your taste in classical music and all. What is your favorite kind of music then?

Leaving aside the classical music for a moment, to concentrate on errrr “modern” music, I have to say that I prefer complex music when it comes to pure listening pleasure.

“Favorites” is a loaded term, because in making that decision, it almost depends what I last listened to.

You all know about my “art rock” preferences (eg. Genesis, King Crimson, Yes, Happy The Man, and Jethro Tull), so I’m not going to talk about that stuff here.

Those who know my dislike for jazz, however, may be surprised by a band whom I absolutely love, and whose albums I have in their entirety: Steely Dan.

There is a need and a time for straight-ahead rock, and then there’s a time to enjoy the dense, complex music patterns of Messrs. Fagen and Becker.

I started off with Steely Dan’s Royal Scam album—I’d heard their earlier hits like Reeling In The Years, but for some reason I never got round to listening to their albums. Then, on a whim one day, I bought Royal Scam along with a couple of other tapes, to listen to on a long car trip I was taking.

For the next four days, the Steely Dan album was the only music I listened to—none of the others could hold up. To this day, if I hear a single song off the album, I have to get the CD out and listen to the rest.

Lots of words have been written about Steely Dan’s music, so I’m not really going to add many of my own to the chorus. Suffice it to say that whenever someone asks me to list my favorite songs of all time, it’s really difficult for me—because I can’t even list my favorite Steely Dan songs, so much do I enjoy them. The arrangements are tight and dense. I use the word “dense” a lot with their music, because there’s really no other way to describe the busyness—there’s always a lot going on with the instruments, but even within each instrument, all sorts of stuff is happening. (The next time Donald Fagen plays a straight major chord will probably be his first.)

And all the musicians who’ve ever played with Fagen and Becker have been artists and craftsmen of the highest order. To see exactly how good these guys were, you have to try and play a few Steely Dan songs—and I don’t mean an approximation of the song, I mean an exact copy of the song, to see how good these guys really were. I think I only ever managed a few: The Fez, Don’t Take Me Alive, With a Gun [duh], and Boston Rag. Players like Skunk Baxter, Lee Ritenour and Larry Carlton were the norm, not the stars—and current bassist Freddie Washington is beyond astonishing in his virtuosity.

But above all, one has to allow that Donald Fagen and Walter Becker themselves are brilliant musicians, and beyond-brilliant composers and arrangers. The cerebral, cultured Fagen and explosively-funny, irreverent Becker combine to make music that is… cerebral, cultured, funny and irreverent. And just to make things more confusing, they look like a pair of Ivy League college professors:

I’m also love with, in addition to the music itself, the wry, ironic feel to the lyrics and melodies. This is really unusual for me, because when it comes to that kind of thing, I’m an unashamed sucker and romantic. Hell, I’ve shed many a tear on maudlin ballads of the Streets Of London genre, but of course, tears are not what comes from listening to the hip, sly and obscure Steely Dan lyrics—that would not be cool, after all; and “cool” is a word which describes Steely Dan’s music better than any other. “Cool”, in lesser hands, could easily lead to “cold”, but it’s impossible to feel that way when listening to, say, Any Major Dude or Pretzel Logic.

And if you can’t see the comic genius and intellect of the people who wrote this letter and this article, you’re beyond redemption.

For the musicians among my Readers, I tend to prefer Skunk Baxter’s guitar work over Larry Carlton’s, not for any technical reasons—Carlton is a genius—but simply because I like Baxter’s sound for this kind of music. But that doesn’t stop me from preferring Royal Scam (a “Carlton” album) to any other of their offerings.

Did I imply from the above that I have a “favorite” Steely Dan album? Well, maybe. Royal Scam is certainly the first among equals, but then again, that’s just because I haven’t heard Countdown To Ecstasy or Pretzel Logic recently.

So I’m going to go and remedy that situation, right now. You could do worse than follow my example.

If you’ve never heard Steely Dan before (and there may be one or two sad souls who haven’t), and you like your music to have a complex, slightly jazzy feel, then here’s Amazon’s main Steely Dan page. Help yourself, to any one. You will not be disappointed, regardless of your choice; and how many bands can you say that about?

(I’d recommend the Citizen Steely Dan set for a starter choice, myself.)

And of course, not all Steely Dan’s lyrics were cynical and ironic.

Charlie Freak had but one thing to call his own
Three weight ounce pure golden ring no precious stone
Five nights without a bite
No place to lay his head
And if nobody takes him in
He’ll soon be dead

On the street he spied my face I heard him hail
In our plot of frozen space he told his tale
Poor man, he showed his hand
So righteous was his need
And me so wise I bought his prize
For chicken feed

Newfound cash soon begs to smash a state of mind
Close inspection fast revealed his favorite kind
Poor kid, he overdid
Embraced the spreading haze
And while he sighed his body died
In fifteen ways

When I heard I grabbed a cab to where he lay
‘Round his arm the plastic tag read D.O.A.
Yes Jack, I gave it back
The ring I could not own
Now come my friend I’ll take your hand
And lead you home.

R.I.P. Walter