Musician Thoughts

All the way from past Down Under (i.e. New Zealand), Reader Tony H. writes:

Was reading your post about the travails of the guitar industry.
I bet if you looked at the way the piano industry “evolved” from a time in the 50s & 60s where every second house in my street had a piano you’d see some interesting comparisons. As a kid we’d go up and down the street to people’s houses, go inside and they would play Christmas carols and we’d sing along. No parents along for the ride, mind you.
How many actual pianos do you reckon got sold world wide last year? Thousands? Tens of thousands? So if you were one of those British or German piano makers you were on a hiding to nowhere.
Part of the problem is longevity. Once you get up to pro level gear, it basically doesn’t wear out.
I’ve got a 30 year old Fender Strat. Played 100s of shows with it. I use a 1970s Fender amp. OK, I’m a semi pro person, so I bought myself a Gibson Les Paul 12 years ago. I’ve got two 80’s Marshall amps that I use for practice and social playing.
None of this gear is ever going to wear out to a point where repair is not an economic proposition. So unless I break something or it gets stolen, me as a daily user of my equipment represent zero revenue to any of these suppliers.
OK, yes, I go through strings at a rate, but that’s like buying petrol for your car.
If I did write off one of my guitars, in truth I’m much more likely to buy a vintage example than a new one – not even a price decision.
So how are Fender or Gibson ever going to get any money out of me? Self tuning guitar? Nah. Hi tech like Line 6 with built in effects etc? Nah, I like the sound of my old analogue tubes and nicely aged bits of wood.
Clearly I’m not alone, the largest sector in the Gibson catalogue is “reissues”.
Both Gibson and Fender have gone down market to chase volume. There are Epiphones and Squier guitars at every price point.
As a person that really gets their brand proposition, actively uses their products and is in the fortunate position of being able to pony up a few thousand on a new instrument if I wanted to, they have got zero dollars off me in the last ten years and are highly unlikely to get anything off me in the next 10 years either.
OK, maybe a modern amp as lugging around a 100 watt head and a 4 X 12 quad box is starting to tell, and these days I never get to crank it.
So, zero growth potential from me.
Also, anecdotally, the value proposition for Fender and Gibson has been steadily eroded by products from other makers. Yes, I fully get the “wank value” of owning a Les Paul, but objectively there are dozens of alternatives at much cheaper prices and the quality gap is narrowing all the time.
Whats left for them? Joining Harley Davidson in acquiring 100% of a diminishing market? We all know how that works out.
Cheers & keep up the good work.

All true, and I know for a fact that if I were still playing, it would be on my old Rickenbacker 4001S through… well, not my old Roland RB-120, because it died the day before my last gig in S Africa, all those years ago. [cue spooky music]

It was one of the best-sounding bass amps ever made, by the way, and it was one of the very few which could handle the high output from my Rick (which I always played at full volume from the guitar controls).

So much did I love that guitar that if by some miracle I could play bass again (arthritis, don’t ask), I’d be playing that same old Rick… but instead of trying to resurrect the old Roland (great though it was), I’d probably get one of the new amps. Well, I say “new”, but in fact it would be a new version of my old Roland. (You may all return your shocked faces to Sarah Hoyt now.) They stopped making the RB-120 back in the early 1980s, if that helps. Here’s the Cube 120XL:

Note to Reader Tony: forget that valve stuff for gigging; this is the business, with all the different amp effects built in. (I actually owned the smaller 30-watt version of this amp a little while ago, and I loved it.)

See? I can change if I have to. Especially as this amp weighs about a tenth of my older double stacks, and my back still gives me an occasional twinge to remind me how much I abused it back then.

Anyway, here’s a pic of the old band setup at the OK Corral Club, just outside Pretoria, taken in May 1977:

Yeah, that’s me (age 22) on bass at bottom right. I can’t remember what amp I was playing through back then, but it was either a Fender Bassman 120 or a Marshall 100-watt rig (can’t see it clearly in the pic).

Note also the various Gibsons and the Fender Strat. Yes, we supported them way back then too. (Marty’s Les Paul was a ’63 and Kevin’s Strat was a ’65. I don’t remember the year of the Flying V, but I think it was a new one, i.e. 1975-ish.)

Where was I?

Oh yeah. Unlike Reader Tony, I wouldn’t go back to gigging; I’d only play old standards (Gershwin, Carmichael etc.) in a four-piece house band (piano, bass, drums and either a horn/clarinet player or a female torch singer), in an old-fashioned night club where people dressed up and danced cheek to cheek:

You may call me old-fashioned, if you wish. I wear the label with pride.

Flight Of Fancy

Back in the day when I played in a band, the various members had some rather interesting hobbies: Drummer Knob collected sports cars (and still does), Guitarists Kevin and Donald collected venomous snakes (the idiots), Keyboards Player Mike had his private pilot license (PPL), Guitarist Marty had his chopper pilot’s license, while Bassist Kim… well, I did a lot of testing of the effects of alcohol on the human body. (The band was my hobby.)

Anyway, Mike also had a two-seater ultralight aircraft, and I went up with him on several occasions. It was great fun, and it looked something like this: essentially, a wing with a”pusher” (rear-facing) motorcycle engine attached.

While I was looking at pics of old planes last week (for the RAF’s centenary), I happened upon something which made me stop and think: “I’d love to have one of those and fly it around.”

This is the Airco DH.2, designed by Geoffrey De Havilland himself (PBUH), and while it’s a little more aircraft than an ultralight (with two wings and a substantial tail assembly), the principle is the same: a “pusher” engine mounted behind the pilot.

I’d just use a modern engine (Honda Gold Wing?) in place of the old underpowered 100 hp Gnôme Monosoupape rotary engine, which had a rather disturbing tendency to lose its cylinders in flight. (And yes, I’d very much like to keep the Lewis machine gun too, thankyouverramush.)

I know the DH.2 is only a single-seater, but then if I wanted to go the extra step and carry a passenger as well, there’s always the Royal Aircraft Factory’s F.E.2b:

…also with the machine gun, of course.

I’m too old for this stuff now, more’s the pity; but let me tell you, given half the chance, I’d do it in a heartbeat anyway — in either aircraft, even without the guns.

Smelling Salts, Please

A recent comment by Reader Velocette got me thinking about old Alfa Romeos, so off to the Internet I went… and found this on the first try.

This little beauty was offered for sale about a year ago:

The asking price was $125,000 and it was sold. Read the article to get the full flavor of the car. I’d say the buyer got the best bargain of 2017.

I’m so jealous I could spit.

Timekeeping (Ladies’ Special)

Some time back, I spoke a little bit about buying a dress watch, and soon thereafter was asked to do a similar piece for my (few) Lady Readers. That’s a problematic topic for me to tackle, because as always with women, I have very little clue as to what makes them tick [sic] and therefore any advice I have to give must necessarily be fraught with caveats and such. Nevertheless, I’m going to give it a shot.

As with my earlier discussion, I’m not going to argue about the merits and whatever of using a cheap and accurate digital watch, or about the merits or disadvantages of telling time via one’s smart phone. This post, therefore, will look only at the subject of dress watches — such as would be worn on special occasions, or for a job interview or whatever. As with the men’s watches, I’ll set an arbitrary budget of between $2,000 and $8,000 at first, then look at ladies’ watches from a different perspective at the end.

As women (even more than men) tend to treat watches as fashion accessories, something I’ll cover later, it may well be that choices may have to be multiple — i.e. one would wear this watch for that occasion, and that watch for another. Fortunately, women’s watches can be somewhat less expensive than men’s (although once one gets up there… phew), and so I’ll approach the topic from that angle.

Probably the most popular ladies’ watch ever made has been Cartier’s “Tank” model, worn by just about every fashion icon over the years (Jackie O., Princess Grace and so on).

That’s the Tank Americaine model, and while it’s spendy (the gold Cartier Tanks, as shown, can run anywhere from $7,500 to $10,000 depending on the bling level), I would respectfully suggest that if a woman were to own only one watch her whole life, this would be as good a choice as any. (Almost every ladies’ watch in this price range can add precious stones like diamonds or sapphires to the face, which drives the price up considerably. Your choice, your money.)

The stainless steel versions are the Tank Anglaise (also with the rectangular face) which is half the price ($4,000):

…and the Tank Française which is much cheaper (about $3,000) and has a square face:

Still beautiful, in my opinion, if a little more “masculine”, perhaps. But there are other brand options, so let’s look at a few. All three below are square-faced, and run around $3,000:

As with all things female, branding seems to be important — but I should mention that the lesser-known Baume & Mercier will have (I believe) a better action than the other two because the “fashion” brands carry a premium over their nominal price, for not necessarily better quality.

Should Madame prefer watches with a round face, or ones that look a tad more practical, there are these options, again all costing around $3,000:

“Nomos” is apparently watchmaker Glashutte’s “budget” line — GH watches typically cost well over $10,000 — and having myself owned a men’s Omega Aqua Terra before, it goes recommended; but Tag Heuer is excellent too.

Obviously, if a lady requires a very practical watch — Mrs. Free Market owns a Breitling because of her yachting “hobby” (obsession) — there are those types too, but be aware that their prices are usually well above what we’re looking at today.

I would also be remiss if I didn’t look at two of my favorite watch brands as well. Here are two from Jaeger-LeCoultre, at about $8,000 each:

..and another two from IWC, these running about $5,500 to $7,500 each:

Both the above are downsized versions of IWC’s Men’s Pilot- and Portofino variants.

Now let’s look away from the “one dress watch” category for the moment and examine watches instead as a fashion accessory — i.e. ones that can be matched to a particular outfit or occasion such as a garden party or suchlike. Here, the watches are considerably cheaper for the simple reason that Madame would probably prefer to have several different types. Here are some examples from the Olivia Burton line, which cost around $100 each:

OB is owned by Movado, so while they’re not Omega or Piguet, they’re not complete crap, either.

And should Madame wish to match her watch with her purse, here are some Michael Kors watches, each costing around $200 (i.e. somewhat less than the hand bags):

Frankly, however, if I talk any more about watches of this ilk, I’ll need to go and shoot something just to restore my testosterone levels.

Let me then, suggest a watch for those ladies who are independently wealthy, or who have indulgent husbands / long-time partners. It’s one for the ages, being feminine, practical, of high quality and eclectic enough so that anyone who knows anything about watches will give an approving nod. It’s a lottery watch, in other words (just as the Vacheron Constantine 1907 is my lottery watch), and because I’m an unashamed sucker for women, you get two choices, each costing around $30,000: a “plain” (classic) and something a little more ummm decorative.

Ladies: am I completely off-base here? (Wouldn’t be the first time.) Your thoughts in Comments, please.