Category: Entertainment

Writer Loses Balls

Entertainment, Pussification Parade

…and to his own daughter, no less:

Four Weddings and a Funeral writer Richard Curtis says he was ‘stupid and wrong’ for the way he wrote about women and joked about people’s size in his films after he was confronted by his own daughter.

Curtis, 66, says he regrets much of his work and he was ‘unobservant’ and ‘not as clever’ as he should have been.

The comedy screenwriter poured scorn over many of his films and said he would never use the words ‘fat’ and ‘chubby’ again.

Oh FFS.  One of the best parts about the achingly-funny Four Weddings  movie was that I could recognize every single one of those appalling female characters in girls of my own acquaintance.  I had also been to weddings of similar ilk several times — okay, nobody actually died of a heart attack during any of them, but someone in the bridal party did noisily puke her guts out during the groom’s speech, which surely qualifies.

Also, one of the main attractions of Four Weddings  was the realistic dialogue — once again, I’ve heard people say things precisely as they were uttered in the movie, only with a South African accent.

Four Weddings And A Funeral  was of its time, people actually spoke, thought and behaved like that, and it saddens me to no end to think that its creator has forgotten the whole point of the satire he so wonderfully wrote.

All because his pissy little woke daughter objected.

Reader Recommendation

Entertainment

From Reader and Commenter ChaddInFl comes this:

I recently finished the first and only series of a German Netflix series called Kleo. It’s set in late ‘80s/early ‘90s Berlin. The title character is a young Stasi assassin who is denounced and imprisoned after completing an important assassination in West Berlin. She is released from her East German prison in 1990, during the time between the fall of the Berlin Wall and German reunification… and boy is she pissed. It turns out that all the GDR big wigs have taken their ill-gotten millions and fled for balmier climes.

It’s a well-produced and well-written show. The main character and her primary antagonist (a West German cop) are both relatable and well developed. I’ve recommended this to everyone in my daily life, so I thought I’d send it to the author of my favorite blog.

Thankee Chadd for the kind words.  As it happens, I’ve seen the show and it’s as good as he says it is.  Please note, however, that it is more of a black comedy (cf. Tarantino) than realistic, and often veers into near-fantasy, especially in the flashbacks.

And tell me that Jella Haase is not an inspired bit of casting as the assassin Kleo:

Dead eyes, if ever I’ve seen them.

Top Telly

Entertainment

Britishland’s Radio Times has published a Top 100 list of TV shows (from the beginning, i.e. early 1950s, until yesterday).

I read through the whole thing (so you don’t have to), and apart from the inexplicable inclusion of American shows (e.g. Hill Street Blues and M*A*S*H*) on the list, it’s not bad.  Of course, I haven’t seen all of them — give me a break, we didn’t even have TV in South Africa till I turned 21 — but I thought I’d share my thoughts on the ones I have.

What the hell, it’s the weekend, right?

The Comedies

  • Monty Python, Fawlty Towers, I’m Sorry, I’ll Read That Again — actually, the John Cleese Collection — all classics, all brilliant.
  • Not The Nine O’Clock News :  what SNL’s Weekly Update  tried to be, and failed (unless Norm McDonald was the host) — and speaking of Rowan Atkinson:
  • Blackadder :  historical satire at its very finest, helped by an unbelievable supporting cast (Hugh Laurie, Stephen Fry, Rik Mayall, Miriam Margolies, etc.).
  • The Royle Family :  most Brits of my acquaintance absolutely hated this show about working-class losers;  I loved it.

Drama

  • The Duchess of Duke Street :  excellent fin-de-siècle  series set in the late 1880s until post-WWI, with the wonderful Gemma Jones as the “Duchess”.  One of my prized DVD collections.
  • The Singing Detective :  unbearable to watch, but so good you can’t stop.  Forget everything you ever knew about Michael Gambon:  this is his finest performance.  Ignore the silly U.S. remake.  Also in my collection.
  • After Life :  funny, dark, poignant and sensitive;  Ricky Gervais’s best work.  I think I’ve watched this series half a dozen times, and counting.

Cops ‘n Robbers

  • The Sweeney :  long before NYPD Blue‘s Andy Sipowicz, there was the gritty Jack Regan.
  • Inspector Morse :  wherein the gritty working-class Jack Regan turns into the calm, analytic and cultured Morse, both having been played by the same actor.
  • Cracker :  tortured and flawed genius solving crimes;  Robbie Coltrane in a non-comic tour de force.  I have the set, but there’s a warning attached:  do not watch the postscript episode (set in Hong Kong), because not only is it terrible, it was an afterthought, cobbled together at the last minute, and none of the loose ends from the final series were tied up.

Sci-Fi

Never watched any of them.  I did watch one episode of Doctor Who, and it was awful.

Documentaries

  • The World At War (I have this series on DVD):  probably the greatest WWII documentary ever — it’s hard to argue about Hitler’s behavior, for example, when you have Traudl Junge (his actual secretary) describing it.
  • Civilisation :  when I grow up, I want to be as educated as Sir Kenneth Clark.  I also have this series on DVD.

Missing from this Top 100 compilation (inexplicably, and shamefully):

  • Foyle’s War :  period drama with the brilliant Michael Kitchen (in Kim’s DVD collection)
  • The Young Ones :  anarchic comedy with Rik Mayall
  • The Goon Show (radio):  the groundbreaking show that defined anarchic comedy thereafter, all from the fevered imagination of Spike Milligan
  • Life On Mars :  detective show in the 70s, from the perspective of a 1990s transplant.  Maybe the good old days weren’t so good.
  • Waiting For God :  shenanigans at a retirement home with dark, biting comedy (in Kim’s DVD collection)
  • Absolutely Fabulous :  Jennifer Saunders’s hysterical over-the-top empty-headedness vs. Joanne Lumley’s feline degeneracy.
  • The Darling Buds Of May :  gentle bucolic comedy, with a fine cast (in Kim’s DVD collection).
  • The Avengers :  Patrick McNee’s bowler hat and Diana Rigg in skin-tight pants suits, ’nuff said.
  • The Persuaders :  Roger Moore and Tony Curtis;  who’d have thought they’d be a great pairing?
  • Doc Martin :  they left Martin Clunes’s show off the list?  Seriously?

All the above omissions should have been slotted in ahead of the American transplants;  not that the Yank shows are bad — they aren’t —  but they were essentially rebroadcasts.

If you haven’t seen any of the above shows, try to do so.  You won’t be sorry.

Off My List

Entertainment, Two-Minute Hate

I’ve moaned about this nonsense before:

Since hitting UK cinemas last month, the atomic bomb thriller Oppenheimer — which stars Cillian Murphy in the titular role — has been given a slew of five star ratings while critics branded it Nolan’s ‘best and most revealing work’.

However:

BBC News star Jane Hill revealed she walked out of Christopher Nolan’s film halfway through after spotting a major flaw that left her ‘disappointed’.

I was thinking “historical inaccuracy” or “gratuitous sex/violence”, but no:

It appears Jane was certainly not in agreement as she shared that she was frustrated at not being able to hear the film’s dialogue properly due to the loud soundtrack — and was even more astounded to learn that the issue occurs in almost ‘all’ of Nolan’s films.

She told her followers: ‘Saw Oppenheimer. Well, managed half of it. Disappointed that music & effects often drowned out the actors, I missed whole chunks of dialogue. 

Well, that takes the movie off my “to watch” list.

Till fairly recently, I thought that this degraded sound in movies was simply the result of my age- and tinnitus-ridden hearing, but now I know the truth.  It seems that the new trend in cinema verité  is now to muddy up the dialogue either by having the actors mutter their lines — and sometimes in thick, incomprehensible accents withal — or else to submerge the speech with over-loud sound effects and / or “background” music.  Or in the case of this weasel Nolan, both.

Sorry, but there’s not much verité  when you can’t hear it being spoken.

I know, the answer is to wait for the movies to appear on a streaming service, and then tap the “subtitles” button.

Nah I’m not going to do that.  If I’m going to have to use subtitles, then I’ll just watch furrin stuff like gloomy Scandi detective shows or Belgian whodunnits, which quite frankly are often better than their “English” competition anyway.

The Son&Heir suggested that I get a sound bar for my TV so that I can turn up the “mids” (mid-range audio) and compensate, but I’m not going to do that either.

This little trend is like an artist covering his painting with sheets of thick gauze so you have to strain your eyes to see what’s on the canvas.  I wouldn’t bother looking at those, and I’m not going to watch these shitty movies either.

A pox on all of them.

Related:  Oppenheimer  director Nolan tells us all to fuck off.