150 Years

That’s the combined age, give or take a few years, of Monica Bellucci, Elizabeth Hurley and Salma Hayek.

And if I may say so, it’s a damn good vintage.  Even if it does evoke the start of a joke (“An Italian, a Brit and a Mexican walk into a bar…”).

Oh, another  150 years, you ask?  Why not…

And now, if you’ll excuse me…

Another Unexpected Find

Over time, we’ve come to realize that A Pathway In Monet’s Garden  is too big for the dining room.  (It was originally intended for the living room, but plans changed and a better thing was found.)

So yesterday morning we decided to mothball the Monet, and put something else up in its place.  So off we went to iCanvas, my favorite place to buy art online.  Rather than getting just another Monet (there are four in the house currently), we decided to look instead at Impressionist paintings set in portrait format rather than landscape, with no regard to the artist.  Hours passed by, paintings considered and then discarded (wrong color, wrong mood, wrong style, etc.) until we stumbled onto this:

5th Avenue New York, 1891, by Childe Hassam

Wait a moment.  Who is this “Childe Hassam?”  I’d never heard of him/her (him, actually), so I went to his page at iCanvas and looked at his works, which numbered over a hundred.  I like almost all of them — which meant I had to look to see whose work I was enjoying so much… hello, Wikipedia.

Wait… an American Impressionist?  And I had never heard of him before?  And (wait for it) his paintings were all done during the late 19th- and early 20th century, which as any fule kno is my favorite period of history;  and in all, he produced over three thousand  works… BINGO!

What I like about Hassam is not just his technique, which is excellent, but also his choices of subject matter.  Unlike many Impressionist painters (hello Monet and Cezanne), Hassam painted a dizzying variety of subjects:  landscapes, cityscapes, models, you name it;  he used both watercolors and oils (!) and over all that, he also covered a multitude of colors and moods.  Here’s A Room Of Flowers :

Gloucester Harbor :

Cloud Front, Maine :

…and in one of many abrupt changes of both topic, color and mood, Taxi Rank on Rue Bonaparte  (which I love but The New Wife doesn’t, alas):  

…and continues the theme with Rainy Day, Boston :

Yes indeed:  our American painter didn’t restrict himself to the U.S.A. at all (although he painted the New England and Pacific Northwest seascapes, to name but two).  Rather, his work also covers France, Italy, and all points in between.  Wherever he found himself, he painted it.  To our great advantage.

Because if you like Impressionism but can only see so many paintings of haystacks (ahem), I bet you’ll find a Hassam painting that will be right up your street.  Maybe like this one, The Water Garden

…or even Church At Old Lyme, Massachusetts (of which, unusually, he painted several seasonal variations): 

…never mind his patriotic “Flag” series, like for example Fourth of July, 1916

…or the sublime Watching The Boys March By, 1918 :
…which is also sometimes called The Flag Outside Her Window.

I like this artist.  I like him a lot.

Self Portrait, 1914

Oh, and for people (like me) who loathe Modernism, allow me to quote his attitude thereon:

He denounced modern trends in art to the end of his life, and he termed “art boobys” all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements.

“Art Booby”… I am so  going to steal that for myself.


As Longtime Readers will know, one of my favorite — perhaps my absolute favorite — sports car of all time is the (Ferrari) Dino 246 GT from the 1969-1975 period.  I’ve written before about the rights and wrongs of the thing, but all that aside, I am in love with the Dino simply because it is so drop-dead beautiful to look at.

Which is probably why Fiend Reader Darrell M. (who should know better) sent me a video of a Jay Leno’s Garage  episode which featured a modified Dino — modified not with a Porsche Cayman engine (as I’d thought about), but a Ferrari F40 V8.

Oh be still, my beating heart.  Go away and watch the video now, and when you come back, there’ll be some Dino eye-candy from my personal collection of pics filched from all over Teh Intarwebz.  (My only quibble with David Lee’s Dino is the color.  Black is beautiful, but not as beautiful as some of the others…)

Read more

Future Models

I made fun of the new Ferrari Monza SP1 yesterday, but on a more serious note, it’s one of Maranello’s “Icona” series which, as the name suggests, will be cars based on iconic Ferrari models of the past.

Needless to say, only super-rich Ferrari fanbois will be able to afford them, but I have to say that if I had the dough, I’d not only buy the re-release of the 1959 Ferrari 250 (SWB) California, I’d kill anyone who stood in my way:

…as long as Ferrari produced an exact  replica of the old 250’s body shape, that is, and not some bloated modernist excrescence that looked like a 10-year-old’s Play-Doh model.