Tag: Books & Movies

Snake-Pits and Tarbabies

Media Assholes

Back when I was in the client service business, we had an expression for accounts in which things could never go right — where problems would occur on a frequent basis, systems would fail, communications get misinterpreted and attempts to fix problems would just make the original problem even worse.

We used to refer to them as “snake-pit” accounts:  where no matter what you did, you’d just step on another snake.  Others in the trade termed them “tarbaby” accounts, where no matter how you tried to shake the problems off, you’d just get stickier and stickier.

Which leads us to this:

A crew member winding down production of Rust faces losing his arm after being bitten by a venomous spider, just weeks after Alec Baldwin accidentally shot and killed the movie’s cinematographer.

While I think we all agree that it would be more fitting if Baldwin had been bitten by the spider, you have to feel a little sorry for not only this crew member, but the entire crew (including the dead one, of course) because after all, they were all just working stiffs trying to make a movie together, albeit for a loathsome reptile like Baldwin.

All in all, this production certainly qualifies as a snake-pit operation.

Fog Of Confusion

Bad News

For you to understand the approaching train wreck that is my aging brain, you need only to look at this email exchange between me and a Reader:

Kim,
Thanks for your post about Michael Caine this morning.
Thought I’d add my $0.02, if you don’t mind. One of my favorite movies that he made was “The Eagle Has Landed”.
I wondered if you like it, and if not, why not? I’m not much of a discerning literature or movie connoisseur as you are, but I like to learn. — Tim

Tim,
Love it.  I have the movie AND the novel trilogy.  (Higgins is one of my favorite modern authors, ever since Eye Of The Needle.)

Well, you all know where this is going, right?  Hold on:

Kim,
I haven’t read the novel, thanks for the heads up. I’ll put the trilogy on my reading list. — Tim

Then about ten minutes later, some pieces of Truth came upon me, and I hastily continued:

Tim,
I’m losing my mind.  The author of Eye Of The Needle was Ken Follett, not Jack Higgins.  DOH!!!!
But Higgins did write the trilogy:  Eagle Has Landed, Eagle Has Flown, Night Of The Fox.
Although Follett also wrote a novel called The Fox.
All very confusing to an old man like me.

The latter is not to be confused with D.H. Lawrence’s novella of the same name, nor with the Peter Sellers / Vittorio De Sica movie After The Fox, which featured the luscious Maria Grazia Buccella:

The movie was derived from a play of the same name by Paul  Neil Simon.

Where was I?  Oh, yes.  Anyway:  Jack Higgins wrote The Eagle Has Landed  and its two sequels (a.k.a. the Liam Devlin Trilogy ).

And Ken Follett wrote The Eye Of The Needle and other fine stories.

Everyone got that?  Good.

Now explain the middle bit to me.

Well Deserved

Entertainment

I have always loved Michael Caine’s acting work — whether his debut starring performance in Zulu, followed by Alfie, Educating Rita, Get Carter, and of course the exquisite Second Hand Lions, among countless others.

In fact, Caine has been one of the hardest-working actors of his, or any, generation — his first appearance on screen was in 1946 — so if Sir Michael has decided to pack it in at the ripe old age of 88, then good for him, say I.

What I always liked about Michael Caine was that he never forgot his roots — growing up in absolute poverty in London’s East End, he remained rooted in reality and unlike so many others, he never let the Hollywood bug get its claws into him.

I think I have more than a few of his movies in my DVD collection — ah, I see Zulu, Harry Brown, Pulp and Little Voice., not to mention appearances in A Bridge Too Far and Battle of Britain... choices, choices, choices.

Image Problem

Entertainment, Movies

I’ve always thought that the problem with Daniel Craig’s portrayal of James Bond is that Craig doesn’t look like Ian Fleming’s description and characterization of Bond as a man with a cultured veneer, and a tough, ruthless man barely concealed just underneath.  It’s why Sean Connery was so good:

…but the rest were too heavy on the “cultured” (Roger Moore) or else pretty boys (Pierce Brosnan, Timothy Dalton) with no “rough” in evidence anywhere.  This doesn’t mean they’re bad actors (I’m a huge fan of both Moore and Brosnan), but they were just miscast.

By comparison, Daniel Craig is the complete opposite:  a street thug in a tuxedo, no sophistication to be found anywhere.

Which is why his swan song as Bond at the world premiere of whatever they’re calling the  latest car on the 007 money train is so jarring:

The jacket’s too short by two inches, and… pink?  No doubt the producers are setting us up for the next iteration of 007:  Jamie Bond, from West Hollywood.

To make things even worse, his co-star Leah Seydoux looks like a man in drag, and the movie has been dubbed the “wokest Bond movie ever“… to the whirring sound of Ian Fleming spinning in his grave.

All this means I’m unlikely ever to see this movie, but I (and people like me) am no longer relevant to the 007 Marketing Department.

Oh Yeah, I Almost Forgot

Literature, Writing

There’s a new Kim du Toit book on sale.

 

Just be warned:  it’s nothing like my usual fare.

The idea came to me shortly after Connie died, and I wrote most of it while staying at Free Market Towers.

I’m still working on Skeleton Coast;  while it is completed (finally!), I have to reformat it the whole thing to make it work in both print and Kindle, which requires almost a line-by-line edit.  It should all be done by the end of next week.

Plus One

Entertainment

John Nolte provides a list of Clint Eastwood’s “offbeat” movies and characters, and I can’t really argue with any of them.

I just wish he’d made it a “top six” and added the much-ignored but superb Tightrope, wherein Clinty plays a New Orleans cop who is nothing like his Harry Callahan forebears:  he’s a single dad, vulnerable, a below-average cop who makes mistakes almost every step of the way.  He doesn’t even carry a .44 Magnum, but some teeny little .38 snubbie.

But the best part is that his investigation takes him into the murky world of deviant sex — which at first repels him, but after some time, and despite all his better instincts, starts to attract him and in so doing, draws him into his prey’s world, making him the hunted.

One of the most attractive features of Clint’s typical movie personae  is that he is strong in his beliefs, and when he straddles the line between right and wrong, he’s always aware of the line.  Not in Tightrope.  And his portrayal of the moral confusion and temptation to which he begins to succumb makes it, I think, one of his most compelling performances.

Watch it if you can get it.